GOOD NEWS FOR ROTOSCOPERS. Adobe after effect cs5 introduce new tool "ROTO BRUSH"

-- Roto Brush
Ever do any rotoscoping? Most people do. Do you love it?  didn't think so. Only the truly twisted really love to rotoscope mattes for objects for days on end.


After Effects CS5 introduces a revolutionary new tool called the Roto Brush that will dramatically reduce the time you spend creating mattes for objects in your video. Revolutionary is a big word, but it fits. The Roto Brush borders on magic.


Instead of tediously drawing masks at the edges of your objects and painstakingly animating them, you make quick, gestural strokes to define foreground and background areas. Then After Effects does the hard part for you. It finds the edges and creates the transparency for you. It's perfect for those jobs where you don't have a green screen or consistent background.


Roto'ing a frame can literally take a few seconds now, but a single frame is just the beginning. By using advanced technology unique to Adobe, After Effects automatically finds the same object edges on subsequent frames. You might make a few small corrections as you go, but the amount of work saved is huge.


The quality is there, too. Mattes are properly motion blurred in direction of the object's movement, foreground color is decontaminated, and you have additional anti-chatter controls.


The Roto Brush will change your life. I would have killed for this when I was doing post-production. It's going to allow you to do accurate rotoscoping on jobs that didn't have the time or budget before. If you think I'm too enthusiastic, don't take my word for it: Independent, 3rd-party benchmarks are showing that rotoscoping jobs can be accomplished 10 times faster than before.


mocha v2 for After Effects & more masking improvements
As useful as the Roto Brush is, we believe that you should have a range of tools for masking. This is why we are including mocha v2 for After Effects. The big improvements in mocha v2 are trackable masks and the ability to have variable-width mask feather,
These are wonderful time-savers when creating high-quality, animated masks. mocha v2 is also 64-bit native on Mac OS and Windows.


In addition, we are including the Mocha Shape plug-in (which is normally sold separately for US$99.) This allows you to very simply copy and paste mocha's planar-tracked shapes into After Effects without rendering. It's a simple and elegant workflow for combining the power of mocha with After Effects.


We also have some small but useful improvements in masking. For example, you may now adjust the size of the mask points and handles in After Effects. Make them as big as you like. This makes makes the masks seem less "fiddly" so you can work more quickly.


Some of other favorite new features in After Effects CS5:


Includes Digieffects FreeForm effect (distort and warp layers in 3D space)
New Color Finesse LE 3.0
AVC-Intra file format support
Fully-integrated RED camera support with RAW processing control.
Ability to apply .cube and .3dl LUTs (look up tables) to layers
A new Refine Matte effect (use the Roto brush edge technology on any matte)
A "Preview" checkbox in many dialogs (allows you to see the effect of changes without leaving the dialog.)
The list goes on. There are numerous small things that add up to make a big difference. Check out Todd Kopriva's Region of Interest blog for his take on the new features and links to educational resources.




CS5 is a must-have version of After Effects. When you get a chance to put it to the test, you'll wonder how you got along without it. It's a significant milestone release.